Archives

2021

Vol 36 (2021): Dante Alighieri 1265-1321. Dante Anniversary Edition

Cover artwork: Dante and Beatrice. Oil painting on canvas by Henry Holiday circa 1882–1884. Held by the Walker Art Gallery, Liverpool. Digial colour photograph created by the Google Art Project. Available online at Wikimedia Commons.

Desktop publishing: Veronica Peek, Camberwell, Victoria 3124.
Printed by: BPO Intelligence Pty Ltd, Level 2/315 Ferntree Gully Rd, Mount Waverley, Vic. 3149.

Spunti e Ricerce acknowledges with gratitude the contribution of ACIS: the Australasian Centre for Italian Studies.

2020

Vol 35 (2020): Andrea Camilleri

Front cover artwork by Serena Stelitano, "Andrea Camilleri, cassatina sulla terrazza a Marinella" (2016).
Desktop published by Veronica Peek, Camberwell, Victoria 3124.
Printed by BPO Intelligence Pty Ltd, Level 2/315 Ferntree Gully Rd, Mount Waverley, Vic. 3149.

This volume supported by ACIS, the Australasian Centre for Italian Studies.

2019

Vol 34 (2019): <em>Il Gattopardo</em>: Sicily, Italy and the Supranational Cultural Imaginary

Mosaic fragment of a Sicilian lion, Syracuse Church of St John, Sicily (Norman workshop 12th century). Photographer: Gregoria Manzin.

This volume supported by

ACIS logo =

Desktop published by: Veronica Peek, Camberwell, Victoria 3124.
Printed by: BPO Intelligence Pty Ltd, Level 2/315 Ferntree Gully Rd, Mount Waverley, Vic. 3149.

2018

Vol 33 (2018)

Front cover illustration: Amedeo Modigliani (1884–1920), oil on canvas, “Nudo Dolente” (1908). Collection: Richard Nathanson London. Source: Wikimedia Commons

Desktop published by Veronica Peek, Camberwell, Vic. 3124

Printed by BPO Intelligence – an OCA Group company, 181 Forster Road, Mt. Waverley, Vic. 3149

2017

Vol 32 (2017):

Front cover illustration: based on a B & W photographic portrait of poet Emily Dickinson. Created by William C. North, between 10 December, 1846 and late March 1847. Published on 28 May, 1932, in Letters of Emily Dickinson (new edition by Mabel Loomis Todd). The original daguerreotype is held by the Archives & Special Collections at Amherst College.
Desktop publishing: Veronica Peek, Camberwell, VIC 3072

2016

Vol 31 (2016): Dario Fo & Franca Rame: Beyond the Rules

Front cover photograph: reproduced by kind permission of the Archivio Franca Rame. Cover design by Veronica Peek

2015

Vol 30 (2015): The Shaping of Memory

Vol 30 (1915) Front Cover Illustration: Artist Manuel de Araújo Porto-alegre, Baron of Santo Angelo (1806−1879). Italian Landscape 1835. Museu Nacional de Belas Arte, Sao Paulo. Oil on canvas.

2014

Vol 29 (2014)

Volume 29 (2014) cover. The 14th-century Chapter House of the Santa Felicità in Florence has ceiling roundels painted by the artist Niccolò di Pietro Gerini in 1387. They depict the ‘Redeemer and the Seven Virtues’. The roundel used on the cover is Gerini’s depiction of ‘Justice’.
Photographer: Sailko; 2013. Wikimedia Commons.

2013

Vol 28 (2013)

Front cover illustration: Michelangelo’s Moses, part of Pope Julius II’s tomb in San Pietro in Vincoli, in Rome. Wikimedia Commons, photographer Aleister Crowley (2006). Cover design by Veronica Peek.

2012

Vol 27 (2012)

Front cover photo: “Maschere cornute di Aliano” courtesy of "CiccioDylan Pictures" http://www.flickr.com/photos/cicciodylan. Cover design by Veronica Peek.

2011

Vol 26 (2011)

Front cover: “Ruins of the Temple of Jupiter in Pompeii with Mount Vesuvius in the background.” Wiki Commons Quality Image by ‘High Contrast’, 2007. Reproduced under the Creative Commons Attribution to Germany license. Cover design by Veronica Peek.

2010

Vol 25 (2010): Studies in Modern Italian Theatre

Front cover: Production Still from "The Fire and Hurricane Survival Guide" (2009), Directed by Brienna Macnish. Performed by Matthew Whitty and Luke Fraser.Photograph by Matty Fuller. Cover design by Veronica Peek.

2009

Vol 24 (2009): 150 Years of Italians in Queensland

Front cover illustration: Silverio Dalla Vecchia and family using a trolley on the rail network through the cane fields at Mourilyan, north Queensland, circa 1920. Photo courtesy of Ilma Martinuzzi O’Brien from Rose Gorr with the kind permission of Ilma Martinuzzi O’Brien. Cover design by Veronica Peek.

2008

Vol 23 (2008)

Cover design by Veronica Peek.

2007

Vol 22 (2007): Renaissance Studies

Front cover illustration: detail from Pietro Perugino: Madonna col Bambino, c. 1500. Cover design by Veronica Peek.

2006

Vol 21 (2006): Perceptions of Sicily and the Risorgimento

Cover design by Veronica Peek.

2005

Vol 20 (2005): From Text to Screen

Cover design by Veronica Peek.

2004

Vol 19, No 3 (2004): Essays in Modern Italian & French Literature: In Recollection of Tom O'Neill

Cover photograph by Vanessa Williams.

Vol 19, No 2 (2004): Supplement: Percorsi Danteschi

Cover design by Veronica Peek.

Vol 19, No 1 (2004): Naturalism and Beyond: Fragmentation and transformations of the real

Cover design by Veronica Peek.

2003

Vol 18 (2003): The Italian contemporary short story

Cover design by Veronica Peek.

2002

Vol 17, No 2 (2002): Supplement: Italian Figures in Australian Landscapes

Cover design by Veronica Peek.

Vol 17, No 1 (2002): Studies in memory of Tom O'Neill

Photo of Tom O’Neill courtesy of David Fairservice. Cover design by Veronica Peek.

2001

Vol 16 (2001): Il Giallo

Cover design by Veronica Peek.

2000

Vol 15 (2000): The Prostitute in Italian Society Art and Literature

Cover illustration reproducing a detail from Luca Signorelli’s Orvieto fresco courtesy of Massimo Roncella. Cover design by Veronica Peek.

1999

Vol 14 (1999)

Cover design by Veronica Peek.

1998

Vol 13 (1998): Dino Buzzati

Cover illustration: Dino Buzzati, La torre dei dottori (reproduced with permission of Almerina Buzzati). Cover design by Veronica Peek.

1997

Vol 12 (1997): Antonio Tabucchi. A Collection of Essays

Front Cover illustration by Davide Benati (with artist’s permission). Cover design by Veronica Peek

1996

Vol 11 (1996): Dante and the human body

Front cover illustration: Anonymous, Florentine XVI century. Allegorical Portrait of Dante. National Gallery of Art. Washington. Samuel H. Kress Collection (reproduced with permission).