|
Issue |
Title |
|
Vol 24 (2009): 150 Years of Italians in Queensland |
The Italians in Queensland during World War I |
Abstract
|
Karen Agutter |
|
Vol 15 (2000): The Prostitute in Italian Society Art and Literature |
The key to meaning? Recent publications on the Orvieto frescoes of Luca Signorelli. Iusi Testa. La cappella nova. Jonathan Riess. The Renaissance Antichrist. |
Details
|
Dugald McLellan |
|
Vol 9 (1993) |
The language of Italian television sales |
Abstract
|
Pierangela Diadori |
|
Vol 34 (2019): Il Gattopardo: Sicily, Italy and the Supranational Cultural Imaginary |
The Leopard, the Bear and the Album-leaf: Giuseppe Verdi’s Waltz in F Major in Il Gattopardo |
Abstract
|
Caroline Anne Ellsmore |
|
Vol 34 (2019): Il Gattopardo: Sicily, Italy and the Supranational Cultural Imaginary |
The Marquis vs. the Many. Verso una rilettura ‘Wolochiana’ di ‘Spazi-’— e ‘Sistemi-personaggio’ nella Sicilia capuaniana |
Abstract
|
Brian Zuccala |
|
Vol 23 (2008) |
The mise-en-scène of 'minor' history in Mangiamele's Il contratto |
Abstract
|
Raffaele Lampugnani |
|
Vol 19, No 2 (2004): Supplement: Percorsi Danteschi |
The Path through the Woods. An alternative interpretation of Dante's "selva oscura" |
Abstract
|
Fiona McDonald |
|
Vol 23 (2008) |
The Performance of Reality: Antonioni's Tentato suicidio |
Abstract
|
Laurence Simmons |
|
Vols 4-5 (1988) |
The poet in society: Francesco Berni and court life in Cinquecento Rome |
Abstract
|
Anne Reynolds |
|
Vol 34 (2019): Il Gattopardo: Sicily, Italy and the Supranational Cultural Imaginary |
The Post-Unitarian ‘Uomo Nuovo’: On the Ironical Treatment of History in Federico De Roberto’s I Viceré and Giuseppe Tomasi di Lampedusa’s Il Gattopardo |
Abstract
|
Giulia Lombardi |
|
Vol 19, No 3 (2004): Essays in Modern Italian & French Literature: In Recollection of Tom O'Neill |
The public and the private: the making of history in I Viceré |
Abstract
|
Annamaria Pagliaro |
|
Vol 19, No 1 (2004): Naturalism and Beyond: Fragmentation and transformations of the real |
The Riddle of the Sphinx and Ariadne's Thread: The critique of positivist and decadent sexual myths in Capuana's La Sfinge |
Abstract
|
Paul Barnaby |
|
Vol 12 (1997): Antonio Tabucchi. A Collection of Essays |
The role of memory in Piccoli equivoci senza importanza |
Abstract
|
Laura Lepschy |
|
Vol 31 (2016): Dario Fo & Franca Rame: Beyond the Rules |
The Theatre Project: From Critical Analysis to Collaborative Action – Using Dario Fo’s Non tutti i ladri vengono per nuocere in the Teaching and Learning of Italian |
Abstract
|
Matthew Absalom |
|
Vol 19, No 3 (2004): Essays in Modern Italian & French Literature: In Recollection of Tom O'Neill |
The Vietnamese cooking legacy: a cultural and post-colonial exploration of food metaphors in Linda Lê's Les Trois Parques |
Abstract
|
Tess Do |
|
Vol 33 (2018) |
The ‘New Year of the Woman’? Women, Violence, and Social Change Today |
Abstract
|
Gregoria Manzin, Barbara Pezzotti |
|
Vols 4-5 (1988) |
Theorizing pleasure in the Renaissance |
Abstract
|
Stephen D Kolsky |
|
Vol 2 (1986) |
Theory and practice in language teaching |
Abstract
|
Marcel Danesi |
|
Vol 23 (2008) |
They are what they talk. The verbal representation of children and adolescents in Italian cinema |
Abstract
|
Roberta Piazza |
|
Vol 3 (1987) |
Tito Cecilia. Non siamo arrivati ieri. Lineamenti di storia dell'emigrazione in Australia dagli inizi alla seconda guerra mondiale. |
Details
|
Antonio Pagliaro |
|
Vol 11 (1996): Dante and the human body |
To hell and back: Carlo Porta's inversion of Dante's Inferno |
Abstract
|
B Luciano |
|
Vol 10 (1994) |
Tony Pagliaro, ed. Raffaello Carboni, Gilburnia pantomima in otto quadri con prologo e morale per gran ballo antartico. |
Details
|
Gaetano Rando |
|
Vol 12 (1997): Antonio Tabucchi. A Collection of Essays |
Towards a study of dream in Antonio Tabucchi |
Abstract
|
Nives Trentini |
|
Vol 25 (2010): Studies in Modern Italian Theatre |
Umberto Mariani. Living Masks: The achievement of Pirandello. |
Details
|
Annamaria Pagliaro |
|
Vol 3 (1987) |
Una ricercar in corso: la data di composizione della Pellegrina di Girolamo Bargagli." |
Abstract
|
Bruno Ferraro |
|
Vol 6 (1990) |
Uno studio in nero: La passeggiata autunnale di C.E. Gadda |
Abstract
|
Federica Pedriali |
|
Vol 30 (2015): The Shaping of Memory |
Un’indagine nella memoria: Per una lettura de Il soffio della valanga di Santo Piazzese |
Abstract
|
Sergio Russo |
|
Vol 30 (2015): The Shaping of Memory |
Urbancic, Anne. Reviewing Mario Pratesi. The Critical Press and its Influence. Toronto, Buffalo, London: University of Toronto Press, 2014. |
Details
|
Patrizia Sambuco |
|
Vol 30 (2015): The Shaping of Memory |
Verso la costruzione di una memoria postcoloniale italiana? Linee di analisi fra letteratura e sociologia |
Abstract
|
Sonia Floriani |
|
Vols 4-5 (1988) |
View from Venice: The Renaissance is the name of the father |
Abstract
|
Margaret Plant |
|
Vol 27 (2012) |
Vincent Moleta. Family Business: An Italian-New Zealand Story. |
Details
|
Raffaele Lampugnani |
|
Vol 11 (1996): Dante and the human body |
Virgil. Man or shade: the 'Mancato abbraccio' of Purgatorio XXI.132 |
Abstract
|
Diana Modesto |
|
Vol 15 (2000): The Prostitute in Italian Society Art and Literature |
Visconti's Il Gattopardo: aspects of a literary adaptation |
Abstract
|
Ernest Hampson |
|
Vol 25 (2010): Studies in Modern Italian Theatre |
Vita Giordano. Dalle Avventure ai Miracoli. Massimo Bontempelli e Metanarrativa. |
Details
|
Simona Storchi |
|
Vol 9 (1993) |
Vittorini and the problem of evil |
Abstract
|
Brian Moloney |
|
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