|
Issue |
Title |
|
Vol 24 (2009): 150 Years of Italians in Queensland |
Serving the Changing Needs of Italian Migrants |
Abstract
|
Stefano Girola |
|
Vol 18 (2003): The Italian contemporary short story |
Sette puntate di vuoto: La paura del cielo di Fleur Jaeggy |
Abstract
|
Hanna Serkowska |
|
Vol 29 (2014) |
Sfide e paradossi del romanzo auto-tradotto |
Abstract
|
Marianna Deganutti |
|
Vol 13 (1998): Dino Buzzati |
Sharon Wood. Italian Women's Writing, 1860-1994. |
Details
|
Olga Ragusa |
|
Vol 34 (2019): Il Gattopardo: Sicily, Italy and the Supranational Cultural Imaginary |
Sicily and the Game of Hospitality: How Contemporary Art Can Break the Marriage that Il Gattopardo Made |
Abstract
|
Miriam La Rosa |
|
Vol 18 (2003): The Italian contemporary short story |
Simulated Bodies: Transforming Relationships in Capriolo's "La donna di pietra" and Un uomo di carattere |
Abstract
|
Gillian Ania |
|
Vol 17, No 2 (2002): Supplement: Italian Figures in Australian Landscapes |
Socialist Ideals to Fascist Propaganda: Community Building and Secular Italian Community Welfare in Sydney 1881-1945 |
Abstract
|
Francesca A Musico |
|
Vol 18 (2003): The Italian contemporary short story |
Society and Family Politics: Laura Grimaldi's Trilogy Perfide storie di famiglia |
Abstract
|
Nicoletta Di Ciolla McGowan |
|
Vol 1 (1985) |
Some aspects of the syntax of Machiavelli's familiar letters. |
Abstract
|
Mary Seed |
|
Vol 17, No 1 (2002): Studies in memory of Tom O'Neill |
Some Aspects of Tom O'Neill's Work as a Literary Critic |
Abstract
|
Roberto Bertoni |
|
Vol 14 (1999) |
Some thoughts on historical narrative in twentieth century Italian literature |
Abstract
|
Margaret Baker |
|
Vol 12 (1997): Antonio Tabucchi. A Collection of Essays |
Sostiene Pereira: the crisis of the intellectual between history and literature |
Abstract
|
Flavia Brizio-Skov |
|
Vol 34 (2019): Il Gattopardo: Sicily, Italy and the Supranational Cultural Imaginary |
Spatial Visions in Il Gattopardo. Literary Representations of (De)Construction of Emotional State |
Abstract
|
Karin Schulz |
|
Vol 24 (2009): 150 Years of Italians in Queensland |
Speranza e Sacrificio: Memories, Oral Histories and Myths about Migration |
Abstract
|
Francesco Ricatti |
|
Vol 32 (2017): |
Stefano Lazzarin, Felice Italo Beneduce, Eleonora Conti, Fabrizio Foni, Rita Fresu, Claudia Zudini. Il fantastico italiano. Bilancio critico e bibliografia commentata (dal 1980 a oggi). Milano: Le Monnier, 2016. |
Abstract
|
Silvia Zangrandi |
|
Vols 7-8 (1991) |
Stefano Tani. Il romanzo di ritorno: al romanzo medio degli anni sessanta alla giovane arrativa degli anni ottanta. |
Details
|
Michael Hanne |
|
Vol 9 (1993) |
Stelio Cro. Such stuff as dreams are made on: Pirandello and the Baroque. |
Details
|
Raffaele Lampugnani |
|
Vols 7-8 (1991) |
Stendhal-(Calvino)-Montale: un'ipotetica agnizione di lettura |
Abstract
|
Tom O'Neill |
|
Vol 21 (2006): Perceptions of Sicily and the Risorgimento |
Storia di un'utopia: da Verga a Camilleri |
Abstract
|
Antonio Di Grado |
|
Vol 12 (1997): Antonio Tabucchi. A Collection of Essays |
Tabucchi's waiting rooms |
Abstract
|
Inge Lanslots |
|
Vol 6 (1990) |
Tabucchi: una conversazione plurivoca |
Abstract
|
Joseph Francese |
|
Vol 19, No 3 (2004): Essays in Modern Italian & French Literature: In Recollection of Tom O'Neill |
Tales of trouble and toil: an intertextual reading of Giovannin Bongee, Tevye the Dairyman and Tino Faussone |
Abstract
|
Mirna Cicioni |
|
Vol 30 (2015): The Shaping of Memory |
Telescopes, Microscopes and Film Reels: Memory and History in Three Testimonies of Jewish Childhoods 1938–1945 |
Abstract
|
Mirna Cicioni |
|
Vol 34 (2019): Il Gattopardo: Sicily, Italy and the Supranational Cultural Imaginary |
The Anti-Gattopardo: Lionardo Vigo’s Protostasi sicula. Archaeology, History and Politics |
Abstract
|
Giacomo Girardi |
|
Vol 12 (1997): Antonio Tabucchi. A Collection of Essays |
The art of fixing shadows and writing with light: Tabucchi and photography |
Abstract
|
Remo Ceserani |
|
Vol 11 (1996): Dante and the human body |
The body in Limbo: Bronzino, the Dante illustrators and the iconography of Inferno IV |
Abstract
|
Robert Gaston |
|
Vol 12 (1997): Antonio Tabucchi. A Collection of Essays |
The constant search for oneself |
Abstract
|
Luigi Surdich |
|
Vol 32 (2017): |
The Cool Medium: The Global Pedagogy of ePortfolio in the Foreign Language Classroom |
Abstract
|
Giulia Guarnieri |
|
Vol 26 (2011) |
The Double Bind of the Historical Novel and the Italian Postmodern Debate |
Abstract
|
Margherita Ganeri |
|
Vol 34 (2019): Il Gattopardo: Sicily, Italy and the Supranational Cultural Imaginary |
The Flower of San Remo. Il Gattopardo on Location |
Abstract
|
Mark Nicholls |
|
Vol 10 (1994) |
The genius and the goddess: Lampedusa's La sirena |
Abstract
|
David Fairservice |
|
Vol 12 (1997): Antonio Tabucchi. A Collection of Essays |
The geometry of equality: Antonio Tabucchi and the civil dimension |
Abstract
|
Remo Bodei |
|
Vol 14 (1999) |
The great god Pan reborn in Renaissance Florence |
Abstract
|
Dugald McLellan |
|
Vol 36 (2021): Dante Alighieri 1265-1321. Dante Anniversary Edition |
The Inferno of Pinocchio: Dante’s Legacy in Le avventure di Pinocchio by Carlo Collodi |
Abstract
|
Luigi Gussago, Andrea Pagani |
|
Vol 2 (1986) |
The Italian peasant movement since World War I: History and literature |
Abstract
|
Brian Moloney |
|
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