|
Issue |
Title |
|
Vol 35 (2020): Andrea Camilleri |
Mic Drop. Addio. Montalbano (Addio, Montalbano!) |
Abstract
|
Elgin Eckert |
|
Vols 7-8 (1991) |
Michael Clyne. Community languages: the Australian experience. |
Details
|
Dino Bressan |
|
Vol 28 (2013) |
Michelangelo's Moses: A Dantesque Portal to the Terrace of Pride? |
Abstract
|
Mary Watt |
|
Vol 13 (1998): Dino Buzzati |
Mitopoiesi e tipologia ne Il deserto dei Tartari |
Abstract
|
Bart Van Den Bossche |
|
Vol 1 (1985) |
Montale as a translator |
Abstract
|
E J Stormon |
|
Vol 17, No 1 (2002): Studies in memory of Tom O'Neill |
Montale's Critical Friendship with Henry Furst, "il falso cardinale" |
Abstract
|
George Talbot |
|
Vol 26 (2011) |
Montale's Echoic Poetic Voice(s) |
Abstract
|
Rossella Riccobono |
|
Vols 7-8 (1991) |
Mr Palomar goes shopping: Eros and morphology in Italo Calvino |
Abstract
|
Sharon Wood |
|
Vol 16 (2001): Il Giallo |
N. Prunster, tr. Romeo and Juliet before Shakespeare: Four early stories of star-crossed love, by Masuccio Salernitano, Luigi da Porto, Matteo Bandello, and Pierre Boaistuau. |
Details
|
Cormác Ó Cuilleanáin |
|
Vol 26 (2011) |
Nadia Castronuovo. Natalia Ginzburg: Jewishness as Moral Identity. |
Details
|
Dino Bressan |
|
Vol 26 (2011) |
Narrare l'Inquisizione: Appunti sul «paradigma indiziario» in Ginzburg e in Sciascia |
Abstract
|
Ivan Pupo |
|
Vol 19, No 3 (2004): Essays in Modern Italian & French Literature: In Recollection of Tom O'Neill |
Narrative 'You' and 'I' in the opening of Oriana Fallaci's Un uomo |
Abstract
|
John Gatt-Rutter |
|
Vol 36 (2021): Dante Alighieri 1265-1321. Dante Anniversary Edition |
Newbigin, Nerida. Making a Play for God: The ‘Sacre Rappresentazioni’ of Renaissance Florence. Toronto, Centre for Renaissance and Reformation Studies, 2021. 2 vols. |
Details
|
Carolyn James |
|
Vol 28 (2013) |
Nicola Bellomo criminale o vittima? Strascichi di un processo postbellico |
Abstract
|
Dino Bressan |
|
Vol 15 (2000): The Prostitute in Italian Society Art and Literature |
Nonostante 'chesta ccà': femmine disgraziate e cortigiane in Matilde Serao |
Abstract
|
Antonella Gramone |
|
Vol 15 (2000): The Prostitute in Italian Society Art and Literature |
Not merely the oldest profession |
Abstract
|
Raffaele Lampugnani |
|
Vol 31 (2016): Dario Fo & Franca Rame: Beyond the Rules |
Not Preaching to the Choir: The Role of Songs in Dario Fo’s Oeuvre |
Abstract
|
Gloria Pastorino |
|
Vol 13 (1998): Dino Buzzati |
Note sulla contaminazione delle fonti nella narrativa breve di Buzzati |
Abstract
|
Stefano Lazzarin |
|
Vol 12 (1997): Antonio Tabucchi. A Collection of Essays |
Notes for a Reconnaissance of Tabucchi's works |
Abstract
|
Giorgio Bertone |
|
Vol 14 (1999) |
"Ora tutto è finito!" female development in the novels of Giovanni Verga |
Abstract
|
Susan Amatangelo |
|
Vols 4-5 (1988) |
P. Hainsworth et al. eds. The languages of literature in renaissance Italy. |
Details
|
Gary Ianziti |
|
Vol 19, No 1 (2004): Naturalism and Beyond: Fragmentation and transformations of the real |
Parabola sociolinguistica di Federico De Roberto tra La Sorte e le novelle di guerra: dall'ideale unitario alla realtà plurilingue |
Abstract
|
Rosaria Sardo |
|
Vol 29 (2014) |
Parola e silenzio: le scrittrici mistiche europee tra Medioevo ed Età Controriformistica |
Abstract
|
Florinda Fusco |
|
Vols 7-8 (1991) |
Parronchi in the last two decades: poetry as a question-reply correlation |
Abstract
|
Romana Capek-Habekovic |
|
Vol 12 (1997): Antonio Tabucchi. A Collection of Essays |
Paths to testimony in Sostiene Pereira |
Abstract
|
Manuela Bertone |
|
Vol 33 (2018) |
Patriarchal Structural Violence and Narrative Space: The Reader’s Process of Identification with Female Characters in Italian Crime Fiction |
Abstract
|
Marco Paoli |
|
Vol 29 (2014) |
Patrizia Piredda, “L’etico non si può insegnare”. Studio ermeneutico sull’etica e il linguaggio in Nietzsche e D’Annunzio attraverso la filosofia di Wittgenstein. Leicester: Troubador, 2014. |
Details
|
Michela Barisonzi |
|
Vol 29 (2014) |
Patrizia Piredda, ed. The Great War in Italy – Representation and Interpretation. Leicester, UK: Troubador, 2013. |
Details
|
Dino Bressan |
|
Vol 28 (2013) |
Patrizia Sambuco. Corporeal Bonds: The Daughter-Mother Relationship in Twentieth-Century Italian Women's Writing. |
Details
|
Mirna Cicioni |
|
Vol 6 (1990) |
Pavese, Camus and the myth of Sisyphus: among peasants and stones of life |
Abstract
|
Walter Musolino |
|
Vol 2 (1986) |
Peasant immigration in Australia 1920-1940 |
Abstract
|
Gianfranco Cresciani |
|
Vol 11 (1996): Dante and the human body |
"però che solo da senso apprende" Sound perception in the Comedy |
Abstract
|
Flavia Coassin |
|
Vols 4-5 (1988) |
Peter Armour. Dante's Griffin and the history of the world: A study of the earthly Paradise. |
Details
|
Drina Oldroyd |
|
Vol 34 (2019): Il Gattopardo: Sicily, Italy and the Supranational Cultural Imaginary |
Pezzotti, Barbara. Investigating Italy’s Past through Historical Crime Fiction, Films, and TV Series. Murder in the Age of Chaos. New York, Palgrave Macmillan, 2016. |
Details
|
Mirna Cicioni |
|
Vol 36 (2021): Dante Alighieri 1265-1321. Dante Anniversary Edition |
Pezzotti, Barbara. Investigating Italy’s Past through Historical Crime Fiction, Films, and TV Series. Murder in the Age of Chaos. New York, Palgrave Macmillan, 2016. |
Details
|
Mirna Cicioni |
|
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