| Issue | Title | |
| Vol 16 (2001): Il Giallo | Luciano Parisi. Borgese. | Details |
| David Fairservice | ||
| Vol 10 (1994) | Lucienne Kroha. The woman writer in late nineteenth-century Italy. | Details |
| Mirna Cicioni | ||
| Vol 25 (2010): Studies in Modern Italian Theatre | Luigi Chiarelli : The Nature and Limits of the Pirandellian Playwright | Abstract |
| Maeve Eagan | ||
| Vol 32 (2017): | Luigi Gussago. Picaresque Fiction Today: The Trickster in Contemporary Anglophone and Italian Literature. Leiden/Boston: Brill/Rodopi, 2016. | Abstract |
| John Gatt-Rutter | ||
| Vol 9 (1993) | Luigi Pirandello librettista: La favola del figlio cambiato | Abstract |
| Jone Gaillard Corsi | ||
| Vol 6 (1990) | Luoghi e personaggi dei Promessi sposi: un segmento di topografia manzoniana tra documento e mito | Abstract |
| Verina R Jones | ||
| Vol 33 (2018) | L’eterno ritorno del ‘vero uomo’: La scuola cattolica di Edoardo Albinati come artefatto contenitivo del male | Abstract |
| Gerardo Iandoli | ||
| Vol 16 (2001): Il Giallo | M. Jeannet & G. Sanguineti Katz, eds. Natalia Ginzburg. A voice of the twentieth century. | Details |
| Cinzia Donatelli Noble | ||
| Vol 19, No 2 (2004): Supplement: Percorsi Danteschi | "Ma perché 'l tempo fugge che t'assonna" Par. 32.139 | Abstract |
| Tony Cuzzilla | ||
| Vol 17, No 1 (2002): Studies in memory of Tom O'Neill | "Manibus, oh …": Virgil's loving hands | Abstract |
| Thomas E Mussio | ||
| Vol 17, No 1 (2002): Studies in memory of Tom O'Neill | Margaret Baker & Diana Glenn, eds. Dante Colloquia in Australia (1982-1999). | Details |
| Mary Watts | ||
| Vol 31 (2016): Dario Fo & Franca Rame: Beyond the Rules | Mariagiovanna Grifi. Chiamatemi Paola Riccora. Come una signora dell ’alta borghesia napoletana diventò comme diografa di successo. Napoli: Il Mondo di Suk, 2016. | Details |
| Armando Rotondi [Italiano] | ||
| Vol 13 (1998): Dino Buzzati | Marie-Hélène Caspar. L'Africa di Buzzati. | Details |
| Felix Siddell | ||
| Vol 22 (2007): Renaissance Studies | Mario Equicola's De mulieribus Revisited | Abstract |
| Stephen D Kolsky | ||
| Vol 15 (2000): The Prostitute in Italian Society Art and Literature | Mary Magdalene: one of Petrarch's muses? | Abstract |
| Rodney Lokaj | ||
| Vol 21 (2006): Perceptions of Sicily and the Risorgimento | Mazzinian Discipleship: Sara Nathan and Jessie White | Abstract |
| Ros Pasman | ||
| Vol 33 (2018) | Mia Spizzica, ed. Hidden Lives: War, Internment and Australia’s Italians. Carindale, Qld: Glass House Books, 2018 | Details |
| Ilma Martinuzzi O'Brien | ||
| Vols 7-8 (1991) | Michael Clyne. Community languages: the Australian experience. | Details |
| Dino Bressan | ||
| Vol 28 (2013) | Michelangelo's Moses: A Dantesque Portal to the Terrace of Pride? | Abstract |
| Mary Watt | ||
| Vol 13 (1998): Dino Buzzati | Mitopoiesi e tipologia ne Il deserto dei Tartari | Abstract |
| Bart Van Den Bossche | ||
| Vol 1 (1985) | Montale as a translator | Abstract |
| E J Stormon | ||
| Vol 17, No 1 (2002): Studies in memory of Tom O'Neill | Montale's Critical Friendship with Henry Furst, "il falso cardinale" | Abstract |
| George Talbot | ||
| Vol 26 (2011) | Montale's Echoic Poetic Voice(s) | Abstract |
| Rossella Riccobono | ||
| Vols 7-8 (1991) | Mr Palomar goes shopping: Eros and morphology in Italo Calvino | Abstract |
| Sharon Wood | ||
| Vol 16 (2001): Il Giallo | N. Prunster, tr. Romeo and Juliet before Shakespeare: Four early stories of star-crossed love, by Masuccio Salernitano, Luigi da Porto, Matteo Bandello, and Pierre Boaistuau. | Details |
| Cormác Ó Cuilleanáin | ||
| Vol 26 (2011) | Nadia Castronuovo. Natalia Ginzburg: Jewishness as Moral Identity. | Details |
| Dino Bressan | ||
| Vol 26 (2011) | Narrare l'Inquisizione: Appunti sul «paradigma indiziario» in Ginzburg e in Sciascia | Abstract |
| Ivan Pupo | ||
| Vol 19, No 3 (2004): Essays in Modern Italian & French Literature: In Recollection of Tom O'Neill | Narrative 'You' and 'I' in the opening of Oriana Fallaci's Un uomo | Abstract |
| John Gatt-Rutter | ||
| Vol 28 (2013) | Nicola Bellomo criminale o vittima? Strascichi di un processo postbellico | Abstract |
| Dino Bressan | ||
| Vol 15 (2000): The Prostitute in Italian Society Art and Literature | Nonostante 'chesta ccà': femmine disgraziate e cortigiane in Matilde Serao | Abstract |
| Antonella Gramone | ||
| Vol 15 (2000): The Prostitute in Italian Society Art and Literature | Not merely the oldest profession | Abstract |
| Raffaele Lampugnani | ||
| Vol 31 (2016): Dario Fo & Franca Rame: Beyond the Rules | Not Preaching to the Choir: The Role of Songs in Dario Fo’s Oeuvre | Abstract |
| Gloria Pastorino | ||
| Vol 13 (1998): Dino Buzzati | Note sulla contaminazione delle fonti nella narrativa breve di Buzzati | Abstract |
| Stefano Lazzarin | ||
| Vol 12 (1997): Antonio Tabucchi. A Collection of Essays | Notes for a Reconnaissance of Tabucchi's works | Abstract |
| Giorgio Bertone | ||
| Vol 14 (1999) | "Ora tutto è finito!" female development in the novels of Giovanni Verga | Abstract |
| Susan Amatangelo | ||
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